Print

Pure Reversal: Letterform and Letterpress

PureReversal by Build. Another Vimeo looking at heavy metal

‘Pure’ typeface by Dalton Maag
Film produced & directed by Build
Letterform production by Matt McKenzie
Letterpress by Paekakariki Press
Film & editing by ShootMedia
Original music by J—VEN
All © 2011 Nokia

Now With Added Instructions

Following a a close viewing of this video with my old friend Simon Latcham, he kindly sent me Instructions in the form of Heidelberg KORD Operation Manual.

“Linotype – The Film” Official Trailer: Vimeo


Just another great Vimeo, this time a trailer for a larger project looking at Linotype technology.

“Linotype: The Film” is a documentary about Ottmar Mergenthaler’s amazing Linotype typecasting machine and the people who own and love these machines today.

Director & Editor: Douglas Wilson
Director of Photography: Brandon Goodwin
Audio & Sound Design: Jess Heugel

Music: Cornbelt Chorus “Drunk Hymn & Interlude”

KLUGE by Northern Lights – Vimeo: Just Because

KLUGE from Northern Lights on Vimeo.

Another great Vimeo moment here this one celebrating letterpress printing on a Kluge

Meet Nick Sambrato. He runs a print shop in Orlando, Florida called Mama’s Sauce.

Nick isn’t a very smart guy. At a time in history when the print industry is pouncing from one space-age technological advancement to the next, Nick has decided to take a giant leap backwards into the industrial revolution.

Meet the Kluge letterpress. An 2,000 pound, cast iron, electric powered monstrosity of vacillating rods, giant spinning wheels and pneumatic hoses. The Kluge is Nick’s weapon of choice in his battle against the future.
So why does Nick use the Kluge? A clearly outdated, cumbersome and obsolete machine? The same reason any craftsman uses any tool: for the quality of the finished product. A letterpress offers a tangible, three-dimensional look and feel to the printed image that no other technology can replicate.

Let Nick take you on a trip back in time as he runs through the process of turning an ordinary piece of paper stock into work of art.

produced by: Fiction

Brown Fox, Crazy Dogs, Full Stop

Aldus Darwin

Aldus Darwin

I haven’t always been a designer or a photographer: I was once even the milkman of human kindness. Well I was a milkman anyway.

A Full Stop, Literally

My first encounter with the world of digital design and Macs was as a courier in West Yorkshire in the early ’90s. At that time Apple was moving in on the old world of typesetters who used to output galleys of text via steam driven phototypesetters to waiting grubby couriers (AKA me). This was the cutting edge era when whole evenings could be wasted by the technologically bewildered trying in vain to get the final full-stop to output onto the sheet. I think on one ‘full stop’ occasion I dared to ask “hasn’t anyone got a suitable Rotring?” The suggestion was not well received.

These were dangerous times too, the grubby courier (AKA me) would fly off through the rain sodden streets of Yorkshire to the waiting printer, and, at the doorstep would release the sheet of type into the evening rain. The type of course then revealing it’s Darwinian lineage with buttered toast would land face down in the mud. The grubby courier (AKA me) would do the only reasonable thing, wipe the sheet, get the signature, and fly.

He flew like only text unfettered by punctuation could fly.

Hail Pagemaker

The Darwinian fittest survive and fit for purpose in the ’90s meant willingness to move on from phototypesetting machines to the world of the Mac.

Quadra and Centris were the hallowed names, along with Aldus. No not the15th-century Venetian printer Aldus Manutius, we are talking about Aldus PageMaker the Desk Top Publishing package, which along with Adobe’s Illustrator and Photoshop packages meant that design, and publishing were ready to move fully from the artboard on to the computer and the computer of choice was the mac. Let’s not forget Quark, introduced in 1987 and rising to a 90% market share in the ’90s ultimately to be met head on by InDesign. I don’t like Quark but long may it survive, the competition is what has made InDesign such a really good programme.

(I overheard someone mention DTP recently, I thought ‘how quaint?’)

Nowadays a complete design studio can be bought for around five grand, (me old china) and I think it’s a bit of a snip. You can pick up an iMac Quad core £1650, Adobe® CS5 £1800 and still have enough for a pretty useful DSLR, in fact you should be able to get a full frame Nikon if you shop well.

Yes I know one can mooch over the details and the list might be longer but this will cover most bases and when I look back to an era where the same amount of money got me a van or a motorbike for the despatch business I think we are getting a lot of stuff for our bucks.

The bottom line though is what we do with it.
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